When Arjuna came home from a contest with his prize the princess Draupadi, he called out to his mother he had won a prize; his mother who was in another part of the house answered (not knowing what he had won) that whatever prize he had come home with he was to share it with his brothers. They were duty bound to obey her command
These fine stone relief’s (of grantite, red and grey sandstone) depict scenes from Vaishnava mythology, and are identified as the Gajendra Moksh, Nar-Narayan Tapasya and the Anantasayi Vishnu panels.
The Gupta age, because of its superb sculptures, is in the annals of classical India almost what the Periclean age is in the history of Greece.
Gupta art is noted for its sensual modeling, its deeply cut reliefs, and easily recognized hairstyling (the cascading locks!). Females are noticeably plump, even heavy, full chested and with wide hips. Overall, the general impression of these panels is their liveliness and their rhythmic composition.
Here you see the five Pandava princes- heroes of the epic Mahabharata - with their shared wife-in-common named Draupadi (although some had their own wives too). Vishnu, incarnated as Krishna , was advisor and their charioteer in battle. The central figure is Yudhishthira ; the two to his left are Bhima and Arjuna . Nakula and Sahadeva , the twins, are to his right. Their wife, at far right, is Draupadi . These heroes are themselves incarnations: Yudhishthira manifests Dharma, the Sacred Order of Life. Bhima represents the Wind God, Vayu. Arjuna is Indra. Nakula and Sahadeva incarnate the twin “Horseman Gods” (The Greek Dioscuri). Draupadi is Indrani , the queen of the gods and wife of Indra- a very old Vedic (Pre-Hindu) god
No comments:
Post a Comment